El Cometa Carl Sagan Pdf File' title='El Cometa Carl Sagan Pdf File' />Nibiru cataclysm Wikipedia. This article is about the doomsday scenario. For other uses, see Nibiru. El Cometa Carl Sagan Pdf To Doc' title='El Cometa Carl Sagan Pdf To Doc' />Carl Edward Sagan Nueva York, Estados Unidos, 9 de noviembre de 1934Seattle, Estados Unidos, 20 de diciembre de 1996 fue un astrnomo, astrofsico, cosmlogo. Nibiru cataclysm. Claims. Earths imminent collision or near miss with a giant planetoid. Related scientific disciplines. Astronomy, archaeology. Year proposed. 19. El Cometa Carl Sagan Pdf ViewerThe Nibiru cataclysm is a supposed disastrous encounter between the Earth and a large planetary object either a collision or a nearmiss which certain groups. Gmail is email thats intuitive, efficient, and useful. GB of storage, less spam, and mobile access. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get. STIRPE RETTILIANA possibile rintracciare una presenza, per quanto trasfigurata, negli antichissimi racconti mitici di creature appartenenti alla razza. Original proponents. Nancy Lieder. Subsequent proponents. Lautore dal latino auctor, derivato dallo stesso tema di auctus, participio passato del verbo augeo aumentare, ma anche dalla radice di auctoritas, autorit. PRLOGO Las variadsimas manifestaciones de la Naturaleza y su historia evolutiva han sido, y lo seguirn siendo hasta el fin de nuestra especie, motivo de. Hoy hablaremos de ese gran descubrimiento pseudo cientfico realizado por los pseudocientficos y alguno que otro charlatn, es llamado el fraude, perdn. Para Noga y Danielle. Prefacio. Durante el tiempo que dediqu a escribir este libro, alguien me preguntaba cada pocas semanas de qu trataba. Siempre responda lo. El Cometa Carl Sagan Pdf EditorMarshall Masters, Jaysen Rand, Mark Hazlewood, Pana Wave. Pseudoscientific concepts. The Nibiru cataclysm is a supposed disastrous encounter between the Earth and a large planetary object either a collision or a near miss which certain groups believe will take place in the early 2. Believers in this doomsday event usually refer to this object as Planet X or Nibiru. The idea that a planet sized object will collide with or closely pass by Earth in the near future is not supported by any scientific evidence and has been rejected by astronomers and planetary scientists as pseudoscience and an Internet hoax. The idea was first put forward in 1. Nancy Lieder,45 founder of the website Zeta. Talk. Lieder describes herself as a contactee with the ability to receive messages from extraterrestrials from the Zeta Reticuli star system through an implant in her brain. She states that she was chosen to warn mankind that the object would sweep through the inner Solar System in May 2. Earth to undergo a physical pole shift that would destroy most of humanity. The prediction has subsequently spread beyond Lieders website and has been embraced by numerous Internet doomsday groups, most of which linked the event to the 2. Jacobsen Bigger Is Better. Since 2. 01. 2, the Nibiru cataclysm has frequently reappeared in the popular media, usually linked to newsmaking astronomical objects such as Comet ISON or Planet Nine. Although the name Nibiru is derived from the works of the ancient astronaut writer Zecharia Sitchin and his interpretations of Babylonian and Sumerian mythology, he denied any connection between his work and various claims of a coming apocalypse. History. Nancy Lieder and Zeta. Talk. The idea of the Nibiru encounter originated with Nancy Lieder, a Wisconsin woman who claims that as a girl she was contacted by gray extraterrestrials called Zetas, who implanted a communications device in her brain. In 1. 99. 5, she founded the website Zeta. Talk to disseminate her ideas. Lieder first came to public attention on Internet newsgroups during the build up to Comet HaleBopps 1. She stated, claiming to speak as the Zetas,8 that The HaleBopp comet does not exist. It is a fraud, perpetrated by those who would have the teeming masses quiescent until it is too late. HaleBopp is nothing more than a distant star, and will draw no closer. She claimed that the HaleBopp story was manufactured to distract people from the imminent arrival of a large planetary object, Planet X, which would soon pass by Earth and destroy civilization. After HaleBopps perihelion revealed it as one of the brightest and longest observed comets of the last century,1. Lieder removed the first two sentences of her initial statement from her site, though they can still be found in Googles archives. Her claims eventually made the New York Times. Lieder described Planet X as roughly four times the size of the Earth, and said that its closest approach would occur on May 2. Earths rotation ceasing for exactly 5. This would be followed by the Earths pole destabilising in a pole shift a physical pole shift, with the Earths pole physically moving, rather than a geomagnetic reversal caused by magnetic attraction between the Earths core and the magnetism of the passing planet. This in turn would disrupt the Earths magnetic core and lead to subsequent displacement of the Earths crust. Zecharia Sitchin and Sumer. Although Lieder originally referred to the object as Planet X, it has become deeply associated with Nibiru, a planet from the works of ancient astronaut proponent Zecharia Sitchin, particularly his book The 1. Planet. According to Sitchins interpretation of Babylonian religious texts, which contradicts conclusions reached by credited scholars on the subject,1. Nibiru or Marduk passes by Earth every 3,6. These beings, which Sitchin identified with the Annunaki of Sumerian myth, would become humanitys first gods. Lieder first made the connection between Nibiru and her Planet X on her site in 1. Planet X does exist, and it is the 1. Planet, one and the same. However, Sitchin, who died in 2. Lieders claims. In 2. Lieders proclamations, Sitchin published a book, The End of Days, which set the time for the last passing of Nibiru by Earth at 5. BC, which would mean, given the objects supposed 3,6. AD 2. 90. 0. 1. 7 He did however say that he believed that the Annunaki might return earlier by spaceship, and that the timing of their return would coincide with the shift from the astrological Age of Pisces to the Age of Aquarius, sometime between 2. Hazlewood claims. After Lieder, the first person to propagate her Planet X idea was Mark Hazlewood, a former member of the Zeta. Talk community, who in 2. Blindsided Planet X Passes in 2. Lieder would later accuse him of being a confidence trickster. A Japanese cult called the Pana Wave Laboratory, which blocked off roads and rivers with white cloths to protect itself from electromagnetic attacks, also warned that the world would end in May 2. Roughly a week before the supposed arrival of Planet X in May 2. Lieder appeared on KROQ FM radio in Los Angeles, and advised listeners to euthanize their pets in anticipation of the event as she had done. This led the Fortean Times to conclude that she had put down her dogs to save them from further suffering during the Pole Shift. Later, in a 2. 00. After the 2. 00. 3 date passed without incident, Lieder said that it was merely a white lie . She refused to disclose the true date, saying that to do so would give those in power enough time to declare martial law and trap people in cities during the shift, leading to their deaths. Mayan calendar. Though Lieder herself has not specified a new date for the objects return, many groups have taken up her idea and cited their own dates. One frequently cited date was December 2. This date had many apocalyptic associations, as it was the end of a cycle baktun in the long count in the Mayan calendar. Several writers published books connecting the encounter with 2. Despite that date having passed, many websites still contend that NibiruPlanet X is en route to Earth. In 2. 01. 2, Lieder claimed that U. S. President Barack Obama futilely attempted to announce the presence of Nibiru near the sun. After 2. 01. 2, she claimed that several world leaders had intended to announce the presence of Nibiru near the sun on October 2. Two weeks after the supposed date of announcement, she claimed that it did not occur because of consternation amongst the establishment. In 2. 01. 7, a conspiracy theorist and self proclaimed Christian numerologist named David Meade revived the Nibiru cataclysm by tying it to various passages from the Bible. He initially predicted that Nibiru would arrive in October of 2. September, referring to a supposedly unique configuration on that date of the Sun, Moon, and planets in Virgo,3. August 2. 1, 2. 01. His claims received extensive media attention. Viral fake news stories circulated across the internet, falsely claiming that NASA had not only confirmed Nibirus existence, but also announced that it was headed straight for Earth. El universo como obra de arte. A WJT, con agradecimiento. En cierta ocasin, T. 90S Hip Hop Drum Kit more. S. Eliot tom un taxi en Londres y el taxista le dijo Usted es T. S. Eliot. El poeta, sorprendido, le pregunt cmo lo saba. Oh respondi el taxista, tengo ojo para las celebridades. Quick Heal Antivirus Free Download With Crack 2012 Movie. Sin ir ms lejos, la otra tarde recog a Bertrand Russell y le dije Bien, lord Russell, cmo va todo y, sabe usted, no supo decrmelo. JOHN NAUGHTONPrefacio a la primera edicin. La vida, como la ciencia y el arte, es una teora acerca del mundo una teora que en nuestro caso toma forma corprea. Gracias a una serie de adaptaciones, la mayora de las cuales son favorables y ninguna de las cuales es letal, los seres vivos han invertido en expectativas concretas sobre el curso futuro de sus entornos. Si estas teoras son suficientemente buenas, la vida crecer y se multiplicar pero si han quedado obsoletas por las condiciones cambiantes, sus encarnaciones disminuirn y perecern. La ciencia y el arte son dos cosas muy inequvocamente humanas. Testimonian un deseo de ver ms all de lo visible. Muestran los xitos culminantes de las visiones objetiva y subjetiva del mundo. Pero aunque manan de una misma fuente la cuidadosa observacin de las cosas elaboran teoras diferentes acerca del mundo qu significa, cules son realmente sus conexiones internas y qu deberamos juzgar importante. La ciencia y el arte han divergido. A medida que la ciencia se haca ms acertada en su bsqueda por explicar lo visible a partir de las invisibles leyes de la Naturaleza, tambin el arte se haca cada vez ms subjetivo, ms metafrico y ms divorciado de la representacin realista. Exploraba otros mundos, dejando que la ciencia tratara con ste. Pero hay ms en el arte de la apreciacin que la apreciacin del arte. Las ciencias pueden iluminar nuestra predileccin por la creacin artstica. Recprocamente, la creciente fascinacin de los cientficos por los frutos de la complejidad organizada en todas sus formas debera llevarlos hacia las artes creativas donde existen extraordinarios ejemplos de complejidad estructurada. Este libro es un intento de examinar con ojos de cientfico algunas cosas que normalmente se mantienen fuera de la visin cientfica. Las cosas que son admiradas antes que explicadas. El ambientalismo es el plato del mes. En consecuencia, tenemos que apreciar cmo el entorno csmico se imprime en nuestras mentes y cuerpos para configurar sus estructuras, sus fascinaciones y sus prejuicios. Los astrnomos han revelado que vivimos en un Universo grande y viejo, oscuro y fro pero no podra ser de otra manera. En efecto, veremos que estos puros hechos de la vida csmica son esenciales para que el Universo pueda albergar vida. Y de estas caractersticas que soportan la vida fluye una percepcin particular del Universo que muy bien podemos compartir con todos sus perceptores, cualesquiera que puedan ser. Nos detendremos en algunas de las maneras en que la estructura del Universo influye en el modo de nuestro filosofar y sentir sobre el Universo cul podra ser el impacto metafrico del descubrimiento de vida extraterrestre cmo se filtran las caractersticas inevitables de un planeta que soporta vida para influir en la estructura y el comportamiento de los seres vivos, y cmo las estrellas y el cielo, revestidos por la interpretacin que les damos, han influido en nuestros conceptos de tiempo y determinismo. Estas investigaciones nos llevarn por vericuetos inesperados a considerar cmo nuestro entorno pasado ha forjado conceptos de entornos favorables que, a su vez, influyen en nuestra apreciacin artstica del paisaje. Esto revelar nuevas cosas sobre nuestra ambigua atraccin hacia el arte generado por ordenador y nos llevar a explorar una antigua analoga del problema de si el arte por ordenador es verdaderamente arte. Tambin veremos por qu se originan los colores naturales, y cmo han ayudado a forjar la visin del color de los seres vivos e influido en el uso simblico del color en el arte y la sociedad modernos. Pasando de la imagen al sonido, consideraremos los orgenes de la msica. La msica tiene el poder de influir en las emociones humanas como no pueden hacer otras formas de complejidad organizada. En nuestras exploraciones de sus fuentes y estructura, encontraremos pruebas sugerentes de un factor comn detrs de toda la msica humanamente disfrutable, que la vincula a ella, y a nosotros, con la estructura general del entorno. Los antroplogos y los cientficos sociales han puesto nfasis tradicionalmente en la diversidad de las actividades artstica y social humanas, pero han ignorado en general las caractersticas comunes de la existencia que derivan de la universalidad de nuestro entorno csmico y las caractersticas necesarias que deben mostrar los entornos que soportan vida. Igual que la ciencia se ha centrado durante mucho tiempo casi exclusivamente en las regularidades y simplicidades del mundo a expensas de las irregularidades y complejidades, tambin nuestra contemplacin de las artes se ha complacido demasiado en las diversidades e impredecibilidades de sus formas a expensas de la madeja de caractersticas compartidas que nos ligan con estas formas de complejidad al entorno subyacente que ofrece el Universo. El estudio de las acciones humanas, las mentes humanas y la creatividad humana ha sido rpido en ver la complejidad, pero lento en apreciar la simplicidad. La ciencia, creada para reflexionar sobre la simetra, ha empezado finalmente a apreciar la diversidad. En los frutos de la actividad creativa, la ciencia encontrar los ejemplos ms impresionantes de complejidad organizada, mientras ofrece, a cambio, una nueva perspectiva sobre las fuentes de nuestros sentidos, nuestros gustos, y las imgenes y sonidos que los rodean. Muchas personas han ayudado a este proyecto, directa o indirectamente, a sabiendas o sin saberlo, en diferentes etapas. Me gustara dar las gracias a Mark Bailey, Margaret Boden, Laura Brown, Giuseppe Caglioti, Paul Davies, John Grandidge, Mike Land, John Manger, el difunto John Maynard Smith, sir William Mc. Crea, Stephen Medcalf Jim Message, Leon Mestel, Geoff Miller, Marjorie Mueller, Andrew Murray, Cari Murray, Keith O Nions, Mike OShea, Tim Roper, Robert Smith, David Streeter, Debbie Sutcliffe, el finado Roger Tayler, Frank Tipler y Tatyana Tchuvilyova. Los miembros de la familia siempre estn intrigados por los escritores, puesto que parecen ser personas para quienes escribir es ms difcil que para otros. Mi mujer Elizabeth ayud de innumerables y pacientes formas nuestros hijos, David, Roger y Louise, observaron con inters, expresaron escepticismo sobre el hecho de que alguien puede llamarse a s mismo cientfico y no jugar con juegos de ordenador o manejar la grabadora de vdeo, y anunciaron que pronto estaran escribiendo sus propios libros. Prefacio a la segunda edicin. Me complace que la Oxford University Press quisiera publicar una nueva edicin de El Universo como obra de arte para satisfacer la continua demanda del original. Desde que la primera apareci en 1. He aprovechado la oportunidad para ampliar el libro original en muchos lugares para tener en cuenta dichos desarrollos.